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WILLIAM GIBSON'S DYSTOPIA
THE Canadian science-fiction writer, William Gibson, was not only a
leading founder of the 'cyberpunk' genre, but is credited with coining
the term 'cyberspace' before the Internet really existed. As such he is
also regarded as a guru of futurology.
His claim to fame began with the publication of his first novel, Neuromancer,
in 1984. As in Blade Runner, or the Judge Dredd cartoon strip,
Gibson depicts a gritty, dystopic future combining hi-tech gadgetry and
a reversion to primitivism.
For the benefit of those unfamiliar with the concept, cyberpunk deals
with the man-machine interface (cyber) and the subversive use of the system's
technology by marginalised outsiders (punk).
The only Gibson novel I've so far actually read myself is Virtual
Light (1993), though I take this to be indicative of the genre. While
other science fiction writers imagined post-apocalyptic dystopias, Gibson's
dystopia results from an insidious drift. It's where we are now only more
so.
Multinational corporations dominate a polluted world; old states break
up into smaller regions; an underclass wracked by drugs, crime and disease
depends on synthetics while a rich but embattled super-class defends itself
with private police forces; lawyers and litigation proliferate; crime
is systematically commercially exploited (never mind a lawyer: ring my
agent); and, in a world where cultural history has stopped, the past is
constantly recycled through the screening of old films. If this sounds
all too familiar it's because Gibson is a very funny satirist, writing
as much about the present as predicting the future...
Virtual Light reads like a sci-fi Raymond Chandler novel, but
with early modernist/postmodernist tricks of fracture and leaving things
unexplained. I thought the ending was insufficiently climatic, but I enjoyed
the book as a whole and certainly intend to read the others.
Besides his futurist novels, he collaborated with Bruce Sterling in
writing The Difference Engine (1991), an alternative history of
a steam-computer Victorian England.
Rik - 16 January 1996
BIBLIOGRAPHY
Burning Chrome 1986
Neuromancere 1984
Count Zero 1986
Mona Lisa Overdrive 1988
The Difference Engine (with Bruce Sterling) 1991
Virtual Light 1993
Idoru 1996
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