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TANJA MÜLLER

tanja_bw.gif (52239 bytes)Tanja Müller is a German artist and sculptress currently studying in Britain. Some of our readers may already have encountered her work in Tony Wakeford's one-issue arts magazine, On. Tanja  was born in 1972 and grew up in Franconia in South Germany. She has worked in various media and is particularly fond of depicting moose and elks, sometimes in half-human form reminiscent of the mythical English figure of Herne the Hunter. She is currently pursuing a full-time postgraduate course in Arts Management in Cambridge.

Rik 27 June 1999

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The stag (the king of the wood) symbolises spirituality and intuition, redeeming us from reason alone. It appears in times of distress and peril and brings a unique element of warmth and positivity into art. At the same time it is equipped with mental strength and acumen and is the escort of the soul.

The moose is the oldest and most interesting stag, and once lived in Germany. Fascination, inspiration and wonder combine in one's feeling while watching and studying moose and elks. It's amazing that their horns can span 3.5 metres, and that they are able to jump two-metre fences and aren't afraid of anything. When you look into the moose's eyes you can see something hidden, past, faithful and forthcoming. It's very important for me to find out about the psyche, the feelings, the muscle construction, the bones, everything. But in the end it is admiration, fascination and love which give me ideas for sculptures, paintings, installations and happenings.

In the sign of the cross intuition and reason connect together, and only in combination can these lead to real, unique perception whereby self-confidence, independence and freedom are assumed and the self realised.

To understand graphics, painting and sculpture does not necessarily mean finding within them a closed chain of interpretation which can of itself be resolved into a conceptual formulation - it is not that easy! Art, in my opinion, aspires to create associations through its own projection. This is far removed from the help of reason. To stimulate thought processes and associations, to reveal hidden human experiences and to change consciousness: these are the aims of art in general. Art doesn't exist to be interpreted - I consider this to be crucial! Art exists to sharpen the human senses, which is necessary and originated in the evolution of human beings. But more than this, it broadens the organisation of sense - the human creative potential. Therefore, the notion of understanding has to be connected to something completely different. It cannot be understood purely by logical, intellectual comprehension, but by the whole person completely integrated in their being.

Tanja Müller

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