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SAVING PRIVATE RYAN (1998)
Director: Steven Spielberg
Tom Hanks etc
THREE out of four brothers are killed in action, one in the disastrous
American D-Day landing on Omaha beach modernistically depicted in all
its bloody confusion early in the film. The fourth brother is somewhere
in disputed France, having been part of the scattered American airdrop.
A group of men under the command of battle-fatigued Captain John H Miller
(Tom Hanks) is sent to rescue the surviving sibling (Pvt Ryan) and bring
him home. The motivation is partly sentimental and partly an exercise
in disaster-limitation if not a publicity stunt.
Americans may not be strong on irony but they're masters of pathos.
Whilst European audiences may find the storyline hard to accept and wince
at the fluttering Stars and Stripes, the essential nature and strength
of this film lie in its extensive action sequences brilliantly captured
by the director of photography, Janusz Kaminski. These are graphic, not
only in terms of blood and guts (literally) but in what I presume to be
their realism and certainly their immediacy. You're made to feel you're
actually there and actually quite uncomfortable as bullets tear up the
ground. In its graphic and bleak nature the film is comparable in some
respects to Joseph Vilsmaier's Stalingrad (1993).
The superficial question posed - but left unanswered - by the film is
whether the life of one man is worth the sacrifice of several. But the
deeper question is whether any of the men's lives have any significance
against the background of numbing horror and seeming pointlessness. In
addition to the tension between saving Pvt Ryan and the survival of his
rescuers, the lives of both the one and the few stand in dramatic contrast
to the mincing machine of mass slaughter.
Rik - 26 January 2000
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