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HARRY COX
Part Three of a five-part set of linked reviews of
traditonal folk song concerning source singers and the folk revival.
Click here for Introduction.
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The
Bonny Labouring Boy
2000
2CD
Topic Records
TSCD512D
Containing over two hours of previously unissued recordings, this
double-CD features songs and tunes - on fiddle and melodeon - from
the Norfolk farm worker, Harry Cox (1885-1971).
The rustic English idiom is a long way from Ireland, but with its
wavering notes and a meandering rhythm which coils and uncoils without
the restraint of percussion, I find in Harry Cox's singing style
some justification for a more melismatic approach to English folk
singing.
Harry was born in Barton Turf near Great Yarmouth and was a veritable
juke box of old songs including broadside ballads like 'The Female
Drummer', 'Two Jolly Butchers' and 'Betsy the Serving Maid, Child
ballads like 'Bold Archer' and 'Georgie' ('Geordie'), and comical
ditties like 'I had an old Hoss' and 'A Happy Family'. The popular
'Irish' folk song, 'The Black Velvet Band' was also a Harry Cox
first, and Steve Roud's notes tell us that the earliest versions
of this song were not set in Belfast at all, but in Barking in Essex,
England. Roud also dispels the Gnostic Christian claims made by
Lucy Broadwood for the 'Bold Fisherman'. Three songs on this album
are unique to Harry Cox: 'Firelock Stile', 'The Good Luck Ship',
and the 'Barton Broad Ditty'. My personal favourites are 'The Fowler'
('Molly Bawn') with its haunting melody, and 'The Transports' which
is closely related to 'Van Diemen's Land'.
The survival of these beautiful modal tunes in a general musical
environment so wholly dominated by the modern musical scales, is
quite surprising. But Harry was not only one of the last links with
the tradition of oral transmission but with pre-industrial England
and its culture.
Rik - 5 July 2001
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