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THE DUFAY COLLECTIVE
THE DUFAY COLLECTIVE specialises in lively mediaeval dance and
other instrumental music and has issued two excellent CDs, A L'Estampida
(Continuum CCD 1042) and A Dance in The Garden of Mirth (Chandos
CHAN 9320).
The intoxicatingly frenetic quality of their music, particularly on
the first album, is in part due to the group's concern with reinterpreting
European mediaeval music to show Near Eastern influences. Given that many
mediaeval instruments (such as the lute, rebec and shawm) originated in
the Moslem world and were brought into Europe during the Crusades, this
line of reasoning seems plausible.
The Early Music fraternity is, however, divided on the question of these
exotic influences, as well as on the subject of 'fine art' versus more
'folkic' treatments. While many Early Music practitioners maintain a rigidly
conventional approach to concert performance, the Dufay Collective's style
is both more relaxed and more dramatic.
Some time ago I saw them play in a church in Greenwich (south-east London).
All dressed in black, they made their entrance at the back of the church,
'mob-handed', and swept up the aisle in an ear-piercing cacophony of shrill
piping and strident drumming!
While the more conservative would dismiss this sort of thing as gimmickry
and showmanship, I find it exciting. I also think it captures something
of the mediaeval spirit in which cultural richness and barbarity were
such close bed companions.
Rik - 26 May 1996
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