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COLD MEAT INDUSTRY
PO Box 1881, 581 17 Linköping, Sweden. Fax/phone +46 (0)13 10
39 06
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RAISON D'ÊTRE
In sadness, silence and solitude (1997 CMI.57 CD) is the fourth
full-length album from Peter Andersson as Raison d'être,
a project he began in 1991.
This dark ambient CD combines rumblings and drones with plainchant,
all set in an expansive filmic landscape. While these elements are hardly
unique in this genre of music, this work is a particularly convincing
and pleasing implementation at the chilling-out end of the spectrum.
Rik 16 October 1997
ILDFROST
Ildfrost are a Norwegian duo formed around 1992-93 and have
now followed their earlier album, Autumn Departure (CMI.28),
with Natanael (1997 CMI.51). This features spoken-word and some
magnificent music with the grandeur of a classical requiem or romantic
symphony.
Another highly recommended CMI release!
Rik 6 August 1997
THE Swedish-based Cold Meat Industry is a key label for music ranging
from industrial-noise to dark ambient. It was started in 1987 and is run
by Roger Karmanik - artist and sole member of the power-electronic-style
Brighter Death Now, with assistance from Lina of Deutsch
Nepal.
The main label is specifically devoted to Swedish and Norwegian artists
of which the most well-known is probably In Slaughter Natives,
while the Cruel Moon International and Death Factory imprints feature
groups from outside Scandinavia.
Artists with releases on the CMI label include Aghast, Arcana,
Brighter Death Now, Con Sono, Deutsch Nepal, In Blind Embrace, In Slaughter
Natives, Ildfrost, Memorandum, Mental Destruction, Morthound, Mortiis,
MZ.412, Ordo Equilibrio, Penitent, Proscriptor, Puisance, Raison d'Etre,
Sanctum, Tombstone, and Valefor.
IN BLIND EMBRACE
IN BLIND EMBRACE is Paul Lemos and Joe Papa and in Songs
from the Shadows (1996 DEATH-962) they manage to run the whole gamut
of the neo-folk, neo-classical, ritual, experimental and industrial genres
without tripping up or even making it all seem like a clever 'crossover'
marketing ploy. They achieve a stable, convincing and enjoyable hybrid,
and good luck to them.
ORDO EQUILIBRIO
ORDO EQUILIBRIO was formed in 1993 following a split from Mikael
Stavöstrand's Archon Satani. A male-female duo, it's issued
two CDs, Reaping the fallen...the first harvest (1995 CMI.32) and
The Triumph of Light...and Thy Thirteen Shadows of Love (1997 CMI.44).
Besides being adept at long titles and suspension marks, the duo make
good music. Reaping the fallen... has an impressive sacro-decadent
opening - bells and all, some ambient-industrial material and apocalyptic
folk. I particularly liked 'Thou can not Love them all, when the Trumpet
sounds' (track 4) which has a distinctly Boyd Rice-Douglas P-style. At
the other extreme, 'Carnival (festivity in flesh)' (track 7) has a great
melody but is played on what sounds like industrial hammers, giving it
a magnificent grandeur. Other tracks manage to combine all these styles
and qualities. And, after all that, there's the hidden 13th track...
Altogether a varied, interesting and appealing album. If I had to sum
it up in one word it would be 'atmospheric'. I loved it. Highly recommended.
PROSCRIPTOR
Proscriptor McGovern's The Venus Bellona (1996 Cruel Moon) is
themed around an ambitious Scottish-inspired sword-and-sorcery fantasy.
The promising incantational beginning (Macbethan?) is later followed by
an extended sample of modern military pipes and drums which is too obviously
what it is to fit this Tolkienesque assay. From there it's downhill all
the way. The very short ninth track could be used in an Adams Family
sequel, while other parts have a Gremlins potential. It may well
appeal to children and Americans (ha, ha) but I found it embarrassing.
VALEFOR
VALEFOR is an American goth cult duo who style themselves as Baron
Drakkheim Abaddon and Darkat-SL LeJeune and describe their
music as "Sacro/Ambient/Black Horrific Death Industrial". Besides
a promo cassette, Burning Corpses, the group has a CD album, Death
Magick (1996 DEATH-961 CD), which was released on the CMI imprint,
Death Factory.
The CD can be adequately described as 'dark industrial-ambient'. Valefor
aim to create ghostly soundscapes, images of nocturnal horror, and heavy,
intense and deathlike atmosphere, and they succeed. It's alright if you
like that sort of thing.
Rik
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Updated: 7 May 1997
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